I hear a lot of people give reasons (or excuses!) why they don’t go see movies the first weekend they come out. However, I firmly believe that whether you’re a true film buff or just a casual movie goer, seeing a movie on opening weekend is more important than ever. Here’s why.
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We haven’t been shy in talking about our plans to self-distribute our next couple films. Successes like Joss Whedon’s Dr. Horrible’s Sing Along Blog and recent Sundance winner Indie Game: The Movie have shown that technology + great idea = awesome. However, the naysayers are quick to bring up the bane of the modern artist: online piracy.
I have mixed feelings here. Part of me is terrified that taking on the enormous financial risk of making a film will lead to complete and utter ruin an account of piracy. The other part of me wants to give the internet the benefit of the doubt.
The online community has the power now to fuel all kinds of crazy awesome, or become the very thing it hates: a corporate tool. Allow me to explain…
Hey guys! Justin Mabee here, the newest member of Macedonia Films! I’m currently helping out, doing social media and marketing for MF, and helping to get our name out there. So you’ll be seeing a lot more of me! The MF Crew invited me to start blogging with the rest of them, and I’m a bit of tech nerd, so here’s my first post! Thanks for reading!
So we all love movies here right? We all love seeing our collection sit there, available to us at any time for our viewing pleasure. Pulling out the sleeve, handling the disc, and going through the various packaging included with our favorite DVD or Blu-Ray. But what about keeping a backup?
I recently premiered a short film called Avarice, and it would be a great understatement to say that a few things went wrong. A LOT went wrong. It’s incredibly frustrating to work yourself to a point of exhaustion and to end up looking like an inexperienced kid with a movie while showing it to hundreds of people. Learn from my mistakes because I know I certainly did. Here are 3 things I will forever do before a screening.
As I was growing up, Hollywood was the place every aspiring young filmmaker hoped to end up. I certainly spent hours daydreaming about what it would be like to work on a Hollywood set. However for me, independent film soon after became the next “cool” thing, at least for a teenager interested in film. I used to look for the Sundance laurels on every film I rented at Blockbuster and thought that a movie had to be good if it played at Sundance, and I soon began believing that film festivals would be the ticket to making it as a filmmaker.
However, times have changed and so has the film industry, and it would appear that the future of successful filmmaking might not be at film festivals but instead at comic conventions. If you’re a filmmaker, here are some reasons to check out comic conventions for your screenings.
It’s been months (maybe years) of filming, editing, shooting pickups, re-editing, ect. The film is finally cut to perfection, and it’s time to sit down with a composer. You might find that talking to other film geeks is easy, but talking to a composer is a different ball game. Not all filmmakers speak “music talk.” So what do you do? Check out these tips and find out!
As of right now, it is six weeks until the completion of the first short film that I wrote and directed, entitled Avarice. It has been a project that has taken 2 and a half years to complete, and it will only be about 15 minutes in its entirety. It’s crazy to think that 2 and a half years of a person’s life could be defined by 15 minutes, but that’s kind of how it feels.
It has been the most challenging thing I have done, which I’m sure will be followed by even greater challenges. It’s been a long journey, and I walk away with so much more than I had ever expected to. My only hope is that I can pass on valuable information to other first time filmmakers.
Working with a Visual Effects Supervisor can be tough if it’s your first time doing it, especially in independent film. You only have one shot to get it right because there isn’t time or money for re-shoots.
I learned a lot of lessons while directing Avarice and working with Visual Effects Supervisor Dan Baker. Here are some great tips for driving your Visual Effects Supervisor to insanity:
I recently watched Jason and the Argonauts because I was attracted to cinematic legend Ray Harryhausen, who is well-known for his amazing work in stop motion animation.
However, despite its revered place among classic films, I have to say that I was not very impressed. The stop motion animation was very interesting and impressive, but I had a difficult time paying attention to the rest of it. After fighting to keep myself seated until the end (where there is a really cool skeleton fight scene), I realized that this movie did not differ all that much from Transformers. Continue Reading…
Avarice was either an artist’s dream or nightmare because of the amount of work it required, and my good friend Kelsey Sullivan was definitely up to the challenge. Her vital contribution doesn’t come until the end where The Girl wanders through a passageway with drawings of twisty, pyschedilic trees lined up on either side of her.
I had seen some of Kelsey’s work previous to the film, and I knew she would be the perfect artist for an other-worldly forest. I approached her early in our preproduction phase, and her work was nothing short of spectacular. It was truly one of the most impressive aspects of the film. While familiar with the art world, this was Kelsey’s first experience in filmmaking. Hopefully we didn’t turn her off to it too much! We had the opportunity to ask her a few questions so you can check out the artist behind the art! Continue Reading…